BULGARIAN MUSICOLOGY 3/2022

100 YEARS LAZAR NIKOLOV
 
SUMMARIES AND REFERENCES
 
100 years Lazar Nikolov
Dragomir Yossifov. The identhical Other, pp. 3 – 28.
Angelina Petrova. Existential Clashes and Memory Horizons for Bulgarian Modernism: Fragments from Lazar Nikolov’s Talk on Dimitar Nenov, Lubomir Pipkov, and Konstantin Iliev, pp. 29 – 51.
Petya Tsvetanova. Lazar Nikolov’s “Prometheus Bound” As an Allegory in the World of a Dystopia, pp. 52 – 63.
Musical theatre
Petar Odazhiev. Methodologically Practical and Aesthetic Principles in Director
Stefan Trifonov’s Creative Activities: Historical Perception, pp. 64 – 81.
Debuts
Martin Link. Analytical research as a musicological model, pp. 82 – 95.
Kalina Tomova.Introduction to Mensural Notation Through Examples from
the Fifteenth-Century English Carol Repertoire, pp. 96 – 119.
Reviews
Angelina Petrova. Polina Kujumdzhieva, Julian Kujumdzhiev: “German-Bulgarian Musical Dictionary. Bulgarian-German Musical Dictionary”, pp. 120 – 124.