BULGARIAN MUSICOLOGY 2/2025

SUMMARIES AND REFERENCES
 
Musical Theory
Yavor Genov. Descant and Counterpoint as Concept and Process in Thomas Morley’s “A Plain and Easy Introduction to Practical Music”: Introduction and Translation, pp. 3 – 32.
Musical History
Stefka Venkova. Dobri Hristov’s First Years in Sofia: New Data and Interpretations, pp. 33 – 49.
Zornitsa Dimitrova. The Reception of Guido Adler’s “Der Stil in der Musik” in Bulgarian Musicology at the Beginning of the Twentieth Century, pp. 50 – 66.
André Boucourechliev’s 100th Anniversary
Vladimir Vlaev. “Textе II” by André Boucourechliev – Mobility in Fixed Electroacoustic Media, pp. 67 – 91.
Debuts
Mila Mihova. Piano Sonata No. 4 by Lazar Nikolov: Interpretation Concept of the States in the Thematic Areas, pp. 92 – 118.
Reviews
Zornitsa Dimitrova. Rositsa Draganova: “Musicians-Enlighteners in the Post-Liberation Era. Karel Macháň, Georgi Baydanov”, pp. 119 – 123.
Romeo Smilkov. Polina Antonova: Panka Pelisek and her Piano School”, pp. 124 – 128.