Art Studies Quarterly 4/2021
Elitza Gotzeva. The antiheroes of today: the dilemma of the digital serial drama
Alexander Donev. Transformations of the filmic in the age of an audiovisual flood
Angela Gotsis. Experimental cinema in the Internet: curatorial platforms, video channels and artistic initiatives
Lachezar Velinov. Hypotheses about the bulgarian animation filmmaking as a means of building and developing audiences
Iosif Astrukov. The screen of the divided individuals
Petya Alexandrova. Teaching cinema history on YouTube
Gergana Doncheva. Film festivals in 2020/2021: a format transformation?
Maya Dimitrova. Mapping film untamedness. Independent, amateur and alternative cinema in Bulgaria after 1989
Gergana Doncheva. Between migration and settlement: the exotic friend and the new bulgarian cinema (towards the cultural fields of identity, difference and discourse Own /Foreign)
Ivo Draganov. Bulgarian post-totalitarian documentary cinema. Techniques, trends, authors, films, analyzes
Petya Alexandrova. Celluloid, cellulose and clouds. Transmedia challenges through film criticism in Bulgaria (1989-2021)
Nataliya Hristova. The view of the Bulgarian 1960s – (from) inside and (from) outside
| Title: | Art Studies Quarterly |
| ISSN: | 0032-9371 |
| Issue: | 4 |
| Year: | 2021 |
| Category: | Art Studies Quarterly |
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