Art Studies Quarterly 4/2024
Boyan Manchev. Cinema and the Question of the Real: Jean-Luc Godard, Jean-Marie Straub and Danielle Huillet
Boryana Mateeva. Historic Phases in the Development of Cinema Novo as a Radical Transcending of the Old Thematic, Stylistic and Genre Models. Tropicalism as a Bridge to the Postmodern Paradigm
Ana Vaseva. Time, Space and Fiction in the Films Muriel or the Time of a Return by Alain Resnais and Paris Belongs to Us by Jacques Rivette
Angela Gotsis. Experimental Imagery and Artificial Intelligence – a Dialogue Between Aesthetics and Technology
Daniela Statulova. Language Barriers in Translation of Classical Texts
Peter Kardjilov. The Activity of the Scottish Cinematographer John Mackenzie in Bulgaria in 1905
Stefka Mancheva. Shinings: Processing the War in a Game-like Ritual. Aesthetic Fusion of Beat Cinema and the Cinema of In-Betweenness
Eva-Maria Ivanova. Liminal Spaces in Binka Zhelyazkova’s film The Last Word
Deyan Statulov. The Studio Distribution Alternative
Teodora Stoilova-Doncheva. Festival Normativity – Overcoming Borders
Gergana Doncheva. Gypsies Imaged in Cinema: Critique of an Imaging Model
Yana Hashamova. Reflections Provoked by the Creative Laboratory “Without Roots/Без корени” (Stara Zagora)
Irina Genova. Visual Arts in Romania during the Communist Rule and After
| Title: | Art Studies Quarterly |
| ISSN: | 0032-9371 |
| Issue: | 4 |
| Year: | 2024 |
| Category: | Art Studies Quarterly |
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