BULGARIAN MUSICOLOGY 4/2024

IDEA – CONCEPTION – METHODOLOGY
SUMMARIES AND REFERENCES
 
From the Editors. Idea – Conception – Methodology, pp. 3 – 5.
Mariyana Buleva. Research Methodology and Author’s Reflection on Music Science, pp. 6 – 21.
Goritza Naydenova. Fieldwork with a Film Camera and Scientific Methodology in  Ethnomusicology in the 1950s and 1960s in the USA and Western Europe, pp. 22 – 50.
Yavor Genov. The Hexachordal System as an Inaugural Musical Knowledge according to “Plain and Easy Introduction to the Practical Music” by Thomas Morley. Introduction and Translation, pp. 51 – 73.
Rositsa Todorova. Vaskresia Valchanova (1924 – 2014): A Prominent Representative of the Bulgarian Piano Pedagogy School, pp. 74 – 99.
Debuts
Bozhidar Chapkanov. The Concept of Double Harmonic Syntax within Franz Liszt’s Late Piano Music: A Hybrid Analytical Methodology, pp. 100 – 120.
Reviews
Elisaveta Valchinova-Chendova. Yulian Kujumdzhiev: “The Archive of Dimitar Nenov in Dresden”, pp. 121 – 125.
Elisaveta Valchinova-Chendova. Diana Danova-Damyanova: “Sofia Music Weeks”. Studies of the Festival’s History and Present”, pp. 126 – 130.